More than a clothing piece, an element of style, especially in the world of cinema. It identifies typologies of men, situations, and emotions. In the collective imagery, it’s worn by action men: detective or gangsters. But it also appears on the arm of British and American gentlemen. It is often used to shroud the silhouettes of secretaries and starlets who, during the film, turn into stars and heroines. Its simplicity and plain character means it does not distract from the face of its wearer, even if buttoned right up or the collar is turned up, for example, on Humphrey Bogart in Casablanca and Gene Kelly in Singing in the Rain. But also Michèle Morgan, Audrey Hepburn, and Marilyn Monroe, who created a different type of woman when wearing a raincoat. It is also standard wear an entire gallery of policemen, detectives, and police chiefs: from Maigret to Inspector Clouseau, Kojak and, ironically, Columbo. The raincoat, a garment present in men’s and women’s wardrobes, was born towards the end of the 19th century. Like all clothing items, it follows the rules of fashion, and, though keeping its basic characteristics, it varies in width, length, materials, and colors according to the moment. Through the years it has become identified with particular brands and styles: Barbour, Burberry, gabardine, the trench-coat, Mackintosh, Ciré and K-Way.