Learn more about Moncler, the famous Italian apparel manufacturer and lifestyle brand founded in 1952 by René Ramillon most known for its down jackets and sportswear. Moncler took its name from the abbreviation of Monestier-de-Clermont, an Alpine town near Grenoble, France.
Moncler is a French company of sportswear. The brand was founded in 1952 in Monestier de Clermont, in the French region of Isère. It was a small factory, producing equipment for mountain activities. It is depositary of dozens of patents.
The first down jackets, symbol of the brand, were born in 1954. They were intended to be worn over the workers suits. The brand name comes form the abbreviation of the location, Monestier de Clermont.
Moncler & Lionel Terray
The first to notice the down jackets and understand their potential is Lionel Terray. This world famous alpinist becomes a key figure in the history of the company. It is indeed under his pressure and advice, that the company develops ‘Moncler pour Lionel Terray’. It is the first specialized line for mountaineering at high altitude. The brand is also linked to some great expeditions like the first Italian ascent to the K2 of 1954. Even more, the French one to the conquest of Makalu in 1955. And also the one to conquer Alaska in 1964.
In 1968 the brand becomes the official supplier of the French national team of alpine skiing during the Winter Olympic Games held in Grenoble. Innovation and research lead to the creation of lighter, more aerodynamic and performing garments. They are also suitable for sports competitions. These jackets that are the precursors of contemporary down jackets.
The down jacket
In the’ 80s and ’90s Moncler down jacket makes its entrance into the city. It turn into a cult object, with its stitching and its “painted” effect. During this period also comes the symbol of the brand, the famous cock. In the eighties, the Moncler down jackets become the symbol of Paninari, the only youth culture ever produced in Italy. A symbol of fashion at the time.
In those same years, Moncler starts collaborating with the stylist Chantal Thomass. She replaces the zippers with buttons, adds fur collars and borders. She also adds embroidery and precious materials, such as silk and sable. Since then, the brand has focused on design and excellent collaborations, even coming to experience incursions into the world of couture.
For Moncler’s50th anniversary, in 2002, the book “Now and … Moncler” was published. 1952-2002. Edited by Baldini Castoldi Dalai. It shows photos, drawings and graphics depicting the history of the brand, from 1954 and the first duvet.
In 2003 Remo Ruffini, Chairman and CEO, took over the company. Ruffini designed the strategy of the global down jacket. He gave shape to a range of unexpected aesthetic, functional, technological and high quality achievements. Always in a harmonious balance between mountain and city. The Moncler jacket becomes iconic, going beyond trends, widening the boundaries of the brand up to include all the seasons of the year.
Collaboration & Advertising
Since 2004, the brand has began a strategy of identity consolidation. It started several collaborations with iconic fashion brands, including Junya Watanabe and Comme des Garçons.
Moncler’sadvertising campaigns also pursue uniqueness as a distinctive sign. During the relaunch phase with the arrival of Remo Ruffini, the adv campaigns centered on the product and the origins to transfer its heritage. Subsequently, the campaigns focused on the brand. They were photographed by famous photographers such as Bruce Weber and Annie Leibovitz. They were able to embody the brand DNA and highlight the values of the encounter between photographic art and a nature that transforms in culture.
Since December 2013, Moncler has been listed on the Milan Stock Market. The company produces directly and distributes Moncler clothing and accessories through direct boutiques. And also through the most exclusive Department Stores and international multi-brand stores.
The presence in the most important multi-brand and luxury department stores and the selective location are clear expressions of the values of the Brand. Together with a distinctive store concept that is always consistent with the brand’s DNA. Moncler has always placed in the customer the cornerstone of every strategic decision. This was further strengthened in 2016 with the launch of an important project of Retail Excellence.
At the end of 2017, the Group has a turnover of Euro 1,193.7 million. It marks a double-digit growth of all the main economic indicators. Another important milestone in the success of Moncler.
On the 20th of February 2018, Moncler presents a new creative chapter: a vision of the future. It exceeds the temporality of the season and establishes a daily dialogue with the consumer. Moncler Genius. Eight exceptional minds, working together (but individually), have interpreted the Brand. Everyone focuses on a single project that, interacting with others, defines the various aspects of Moncler’sidentity.
Salvatore Ferragamo (1898-1960). Famous Italian shoemaker. The 11th, out of 14 children, born in Bonito. A small village about 160 miles from Naples.
From a young age Salvatore Ferragamo had clear ideas and wanted to become a shoemaker. Although, in southern Italy a shoemaker is one of the humblest professions, his parents, despite their poverty, were not happy with his choice.
At 9 years old he created, in only one night, his first pair of shoes for his sister’s communion, and he managed to convince his family that the shoemaker career was the best choice for him.
Later he was an apprentice in Luigi Festa’s workshop and once he finished this experience he moved to Naples to learn something new and try in a real way his abilities. After he returned to Bonito, by the age of 13, he had his own shop where he began to create shoes.
Immigration to the U.S.
Then, in 1915, he immigrated, via the ship Stampalia, to the United States to join his brothers who were already there. But in Boston, his brother-in-law, had already found him a job at the Queen Quality Shoes Company. They produced thousands of shoes a day, soles and heels in half a second, and one minute for sewing.
Anyone would have been thankful for such a job, but not the young Salvatore. He had a more noble idea of the shoemaker’s profession. He couldn’t stand those machines. He exclaimed, “They made shoes that were heavy, clumsy, and squat, with a toe shaped like a potato and a leaden heel.” He left the factory, joined his brothers in Santa Barbara.
As told in his autobiography, Il calzolaio dei sogni (The Shoemaker of Dreams, Skira), Salvatore immediately understood that California, with its fast-growing film industry, would be the Promise Land.
It all started when the property manager at the American Film Company complained about the boots worn in the western movies. He believed, if they were easy to wear, the styling was no good, if the style was attractive, they hurt the feet of the actors. Ferragamo offered his services and produced boots for the manager. This was a success and the director Cecil B. De Mille said, “We would have won the West sooner if we had had your boots.” Salvatore and his brothers Girolamo, Seconding, and Alfonso opened their first shop in the center of Santa Barbara.
This is the beginning of a good relationship between Ferragamo and the Film industry, which will go on even after the American experience.
Shoemaker of the Stars
At this time in Hollywood 1923, the future of the movement was beginning. The biggest stars visited his boutique, including Mary and Lottie Pickford. He created the original Ferragamo model for her in brown kidskin, “with two ears standing up in front.”
When the Film industry moved from Santa Barbara to Hollywood, Salvatore Ferragamo decided to take a risk and follow the studios in order to find new possibilities of expansion.
In 1923 he opened his new shop “Hollywood Boot Shop”, and the Hollywood stars would only feel famous if they wore Ferragamo’s shoes. Salvatore Ferragamo soon became known as the “shoemaker to the stars.”
He created pale lavender sandals for Jean Harlow, cork-shaped heels for Gloria Swanson with a lot of pearls, and slippers in multicolored satin for Lillian Gish. Also, men’s shoes for clients like Douglas Fairbanks and Rodolfo Valentino.
Also, while in California Salvatore Ferragamo studied the anatomy of the foot. After his research he came out with a revolutionary component to sustain the arch of the shoe by putting thin layers of steel in the sole in order to provide arch support, when most shoemakers only used cardboard. This piece is called cambinone. In the late 1920’s he patented this invention.
His success was due to the comfort of his shoes. After the success of this invention he went on with his studies of shoes and invented an original way to wear the shoes, which made it easier on his production.
Return to Italy
In 1927, he returned to Florence, Italy a city that represents the beauty and culture of Italy and world wide recognized as the base of craftsmanship. The same year he opened his first workshop with other artisans for the Italian production of his shoes.
Then, in 1929, during the world wide economic crisis, he faced bankruptcy and failure. Ferragamo didn’t despair, and soon made a comeback. By 1938 he was able to acquire the Palazzo Spini Feroni on via Tornabuoni, which is today still the headquarters of the company. In that same period, he acquired the Michelangelo style villa Il Palagio in Fiesole.
The Wedge Shoe
Salvatore Ferragamo invented the wedge shoe in cork to solve the problem of functionality during the autarchy period. To fix the problem he substituted the steel layer inside the shoe.
Ferragamo bought the perfect steel from Germany, but because of the Italian economic situation, he wasn’t able to buy it anymore, so she couldn’t make his shoes.
Ferragamo says “I started working with pieces of Sardinian cork,” Ferragamo writes, “pressing, gluing and finishing until the space between the sole and the heel was filled.”
So, the wedge was born and it became one of the most famous shoe between the 30s and 40s. Ferragamo created a lot of variations including platform heels and sculptured heels. The heels were made with various colors, or little mirrors placed like mosaics, also with brass grilles and floral motifs and studded with stones. These shoes were worn by the most famous customers.
Salvatore Ferragamo has always been focused on the use of material, even today the maison is still very particular about materials.
The beauty, comfort and longevity of a shoe depends on materials, shapes and production. Salvatore Ferragamo became famous for being able to consider all of these aspects without loosing his design.
He did not only work with luxury leathers, but also with unusual materials.
The traditional Florentine lace, paper, bark, raffia, hemp, skin of fish, and cellophane replaced, before and during World War II the more precious materials like goats, calves, and exotic crocodile. Immediately after the war, nylon and synthetic raffia appeared, and for evening wear, refined embroideries in rhinestones and glass beads offered unique solutions.
Salvatore Ferragamo’s Most Famous Clients
During the 50’s the most famous actress used to go to Palazzo Spini Feroni as kings and presidents did. Audrey Hepburn, Duke of Windsor, Greta Garbo, Anna Magnani, Paulette Goddard, Lauren Bascal, and Sophie Loren. Salvatore meet all his clients personally and was able to satisfy all requests, even the most extravagant.
Even Marilyn Monroe was a client of Salvatore Ferragamo, wearing his famous decollete with an eleven centimeter heel. The shoes were very high, but comfortable considering Ferragamo invited the particular heel half in wood and steel, which was strong and thin.
Marilyn Monroe owned a lot of Ferragamo shoes that she bought at the New York store. She used to have ballet shoes, but she preferred décolleté that gave her a feminine walk.
Brand after 1960
Once Salvatore Ferragamo died in 1960, his wife Wanda Miletti Ferragamo became the president of the maison and her six sons became responsible for the different sectors, from the creative direction to production, from distribution to the international markets and administration and finance.
Nowadays, Ferragamo’s family is leading the maison and because of this, it makes Ferragamo a very different family oriented Italian brand.
Brand Expansion From 1970s to early 2000s
During the 1970s, thanks to the initiative and preparation of Wanda, president of the company, the brand expanded and started offering total look collections. With fashion collections, men’s lines, perfumes, and eyeglasses, all of which gradually conquered the market.
In 1978 his daughter, Fiamma, designed the Vara shoe which became a best seller. Today, the Vara shoe is considered a Ferragamo iconic element.
In 1996, Ferragamo acquired Emanuel Ungaro, a luxury menswear line. Two years later the company turnover reached 850 billion liras, most of which came from Europe, U.S., the Far East, Africa, and Oceania. The company had 40 privately owned boutiques, plus several exclusive points-of-sale. Also, several of Salvatore’s grandchildren worked in the company.
Following the birth of the Salvatore Ferragamo Museum, in Palazzo Spini Feroni, the company has committed itself to art exhibits and cultural activities, not just as a sponsor or patron.
The French designer Marc Audibet creates the new Fall/Winter 2000-2001 collection. During this time, Leonardo Ferragamo became president of Altagamma, an association founded in 1992 and composed by 43 famous Italian brands.
In 2001 the company introduced its world-wide expansion plans, created by architect Michael Gabellini, to renovate, or open, a total of 100 boutiques. The renovations were to gain a still more sophisticated architectural style. A new store opens in Korea, in a prestigious commercial area of Seoul. The store occupies a four-storey building with a garden-terrace on the roof.
In 2002 Ferragamo opened a new shop in the historical center of Vienna, close to the Castle of Homburg. From 2003, they opened new stores in New York, Tokyo, Amsterdam and London.
The 2001 consolidated turnover was €641 million, and 46% came from the Far East.
The year of 2002 was full of good news and satisfaction. Then, beginning in June, Ferragamo starts a joint venture with Ermenegildo Zegna for the launch of the new brand Zefer, which ended later in 2013.
Later, Wanda Ferragamo, the president of the company, is named “Woman Entrepreneur of the Year” by the “Committee of 200,” an organization that each year recognizes the top women managers and entrepreneurs all over the world. The ceremony took place in New York. The citation: “For success in the transformation of a shoe factory into an international luxury concern, in which the family maintains total control of its own flourishing business…”
The same year, Ferragamo was recognized as the best brand in China. Asia was the continent where the brand used to sell more in 2002.
New Creative Director
In 2002 Donna Graeme Black was nominated as the creative director and she remained until 2007.
In 2003 Salvatore Ferragamo entered the watch market.
Since 2004 the worldwide expansion plan is well under way. The distribution network had 16 new points-of-sale, including the important new boutiques in Osaka, Hong Kong (Pacific Place). Also, stores in Shanghai Center (China), Paris (Avenue Montaigne), and Milan (via Montenapoleone) are re-opened after renovations. The Salvatore Ferragamo Group closed the year with a consolidated turnover of €549 million, an increase of 5% to the year before.
In May of 2005, as part of the Fashion Project of the Province of Florence, with attendance by a large international public, Palazzo Strozzi hosts the fashion show in a memorable evening organized by Beppe Modenese. Then, starting in June 2005, Ferragamo Finanziaria enters a long-term agreement with the Porsche Design group to foresee the production and distribution of shoes, bags, and leather accessories.
In 2006 new shops in Via Condotti were opened in Rome and Frankfurt. In November of the same year, Michele Norsa became Ferragamo’s new CEO. His managerial mind led the company to expand more and more, exploring new markets such as India, Latin America and Thailand.
A year later, after a new CEO, Cristina Ortiz, was appointed as creative director for the womenswear line from 2007 and stayed till 2010. In 2008 Salvatore Ferragamo company celebrates their 80th anniversary with an exhibition in Shanghai. One year later, the company renewed the license with Luxottica for the production of glasses and sunglasses under the name Salvatore Ferragamo.
Later, in January of 2010 Massimiliano Giornetti, current chief creative director of menswear, becomes creative director for the womenswear line. His role lasted until 2015.
Ferragamo officially become a part of Milan stock exchange in 2011. At this time, profits rose around 70% to €103.3 millions.
Through 2013 Ferragamo focused on accessories, in addition to footwear. In early October, they began to target a younger generation by using an “innovative” digital campaign and revamping physical stores. Also, continuing to renovate stores in existing markets in Europe and the U.S. to boost profitability in its retail division.
Ferragamo reported a 81% rise in Net profits to €81 million in the first half of 2013. The revenues are outside the Italian market, which has struggled to emerge from recession.
Their world-wide expansion plan are a success. As of 31 December 2014, the Salvatore Ferragamo Group has posted total revenues of €1.332 million and a 5.9% increase at current exchange rates. At this time, political tensions in Russia and Ukraine reduced the number of shoppers traveling from the region to Europe lead to decreasing number of sales in some cities through Europe. The Asia Pacific region is the best performer with 37.2% of sales.
Salvatore Ferragamo open new shops in less well-known cities Yantai in China, Surabaya in Indonesia, and Cartagena in Colombia. They continued to renovate stores in Europe and U.S. including Miami and Rome. Also, they reopened in San Francisco, on the west coast of America which is a popular destination for holidaying Chinese shoppers.
Salvatore Ferragamo continues to meet challenges due to a weaker euro, lower oil prices, and economic weakness in China. Also, United States, as a strong dollar hits tourist flows, have weighed on several luxury goods companies in recent months. By contrast, Japan has a strong performance thanks to Chinese tourists. The Asia Pacific area, the biggest market, experienced a 2% increase in sales in the first nine months of 2014. Revenues were up 7% from a year earlier, thanks to a 8% increase in the fourth quarter of 2015.
In 2016 revenues total €1.438 billion.
Currently, Salvatore Ferragamo is going through major changes. In August 2016 Eraldo Poletto was appointed as CEO, who used to work for Furla. Also, 3 new creative directors have been hired after the departure of Massimiliano Giornetti. This includes Guillaume Meilland for menswear, along with Paul Andrew for Women shoes, and Fulvio Rigoni for Woman’s-Ready-to-Wear.
In October 2017 after the departure of Fulvio Rigoni, Paul Andrew is appointed Creative Director of the Women’s Collection.
The brand now focuses on creating unique and exciting campaigns to bring back its positioning of industry leader it once had in the WWII era.
Ferragamo’s designs will live forever. The classic décolleté is always in style and most women’s go to shoe. The brand is known as the exemplary ideal shoe for women. It strives to be excellent in terms of quality, by keeping the production, and standard of craftsmanship, exceptional.
Line of men’s and women’s shoes manufactured by Nuova Centauro. The firm, whose focus is the comparison between tradition (in style and technique) and innovation, was established with the name Centauro in 1947 by the brothers Luigi and Dino Guardiani in Montegranaro, Italy in the Marche region. In 1972 Alberto Guardiani, Dino’s son, took over the business, at a moment when Dino was the sole proprietor.
In 1980 Alberto renamed the company, Alberto Guardiani, launched a women’s line and, while maintaining production of the firm’s classic items. Also, he launched Low Tide, a brand aimed at young people and the sports market.
In 1999 in Montegranaro, Ascoli Piceno, the company built a vertically integrated plant that could design, cut, and assemble garments, with an atelier for the finishing touch.
Alberto Guardiani Development
February 27, 2007 Alberto Guradiani opened a new showroom at 29 Corso Venezia in Milan. The showroom is in an 18th-century building that was originally a monastery where pilgrims could stay and was later turned into a residence by the Calzoni-Sforza family. It is an ideal stage for Alberto Guardiani’s style, a poetic landscape for exclusive goods and an expression of democratic luxury.
Also, in 2007 the brand opened a new store in Piazza di Spagna in Rome and a year later in Naples. “This is the first step on a tight agenda that will see, by February 2008, the opening of two further single-brand stores in Italy, another two important pieces in our retail development plan. So far, there are 11 single-brand shops across the world”, explained Alberto Guardiani.
In March 2009 the brand released the Eiffel Tour limited edition collection to celebrate 120 years off the symbol in Paris. To celebrate, Alberto Guardiani signs a limited edition where a Eiffel Tour shines on the black patent leather like the sky of a Parisian night.
Icon: Lipstick Heel
Alberto Guardiani’s lipstick heel is a pump with a lipstickshaped heel. It is both a shoe and an icon that draws inspiration from the great stars of the past and the present. It plays with the glamorous and provocative atmosphere of La Dolce Vita, symbolised by Anita Ekberg’s sensual ruby lips.
Today, the brand is run by Alberto Guardiani and Rossella Beato Guardiani. In 2016 Serena Guardiani, daughter of Alberto and granddaughter of founder Dino, has been appointed creative director of the brand’s women’s collections. Serena graduated from Milan’s Istituto Marangoni and joins her elder sisters Rubina and Guya within the company.
Gianni Versace (1946-1997) was one of the greatest Italian designers, founder of the company of the same name, Gianni Versace SpA. Born in Reggio Calabria in 1946, Gianni Versace took his first steps in the world of fashion, helping his mother, a dressmaker, owner of a clothing store that, in addition to selling ready-made models, produced its own line. In 1972, a trip to Milan opened the doors of the industry when, called by Ezio Nicosia and Salvatore Chiodini, to collaborate in a collection for Florentine Flowers. His creations were a success and his name began to turn among the insiders, allowing him to continue working in the Lombard capital. He designed for De Parisini, Callaghan, Genny and Alma companies.
The Beginning of Versace
In 1976, with the help of his accountant brother Santo, he founded the company that bears his name and the first women’s collection was presented two years later, at the Palazzo della Permanente. Gianni Versace’s success was instantaneous. A style immediately applauded by the international press, enthusiastic about his clothes full of genre contaminations, paves the way for him.
Also, the brand contributed to the birth of the phenomenon of supermodels: Naomi Campbell, Linda Evangelista, Claudia Schiffer, and Christy Turlington. Gianni was the first to bring out the character of the models as well as enhance their beauty. At this time, the Versace model was transformed. She is no longer a model but a role model, she has personality and embodies an ideal to be achieved, for all women.
In the meantime, his sister Donatella, Gianni’s muse and advisor, had also joined the company. Initially she took care of the public relations and brand communication, collaborating in the creation of important advertising campaigns with Helmut Newton, Herb Ritts, Bruce Weber and Steven Meisel. But, above all, the most memorable shots were with the photographer Richard Avedon. He exalted the image of the fashion house in the world fashion firmament; a partnership that lasted for several seasons and which will wrote many pages of the history of communication. Subsequently, Donatella became creative director of the young Versus line.
Versace was able to mix with ease the contemporary languages of pop art with elements of Greek culture (hence the logo of the Medusa inspired by Greco-Roman iconography), alternating Renaissance and Baroque motifs with precious embroidery and psychedelic colors.
The success of the maison conquered the whole world, even the United States, where the ultra modern and extravagant style was increasingly appreciated. All the Eighties and the beginning of the Nineties were characterized by the territorial expansion of the brand and by very successful collections that built the empire still standing.
The fashion shows presented iconic pieces from the era, including very tight and colorful fuseaux with inlays, dresses in meshes of metal fibers, silks with geometric patterns, jackets with prints of pop culture icons. Versace risked a lot in presenting such a daring and avant-garde fashion, but made every garment and treated it as a work of art and as a result was always rewarded by both the public and the critics.
Collaboration with the Arts
Besides being a great collector, Gianni also worked in close contact with the world of theater, opera and ballet. His long collaboration with the Teatro alla Scala in Milan, which was very important, began in 1982. Gianni created the costumes of the ballet Josephlegende (by Richard Strauss, directed by Luigi Veronesi) and continued to create for many other performances by great choreographers and directors such as as Maurice Béjart, Robert Wilson, Rolant Petit, John Cox, William Forsythe and Twyla Tharp. There were many celebrities that boasted friendship with Gianni Versace, including Lady Diana, his friend and confidant, the singer Elton John, for which in 1992 he designed the cover of the album as well as all the costumes of his World Tour, and the top model Naomi Campbell.
Gianni was the owner of immense villas scattered around the world, and he loved to furnish them with contemporary works of art, imperial furniture and Greek-Roman statues. He was also one of the first designers to launch a line for the home: the Versace Home Collection that will include furnishings, furnishing accessories, lamps, linens, tiles, porcelains and crystals.
Gianni Versace’s Death
The tragedy occurred on July 15, 1997. Gianni Versace is murdered on the steps of Casa Casuarina, in Miami, shot. The murder shocked the whole world raising many doubts and questions about the motive of the murder, which is still unclear. The killer, Andrew Cunanan, was found dead a few days later. It was a blow to the Medusa, for his family, but also for the whole Italian fashion system that will suddenly lose one of its biggest points of reference. After Gianni’s death, the creative direction was handed over to his sister Donatella who inherited 20% of the company’s value and was also the charismatic new face of the fashion house. 30% will go to Brother Santo, president and then CEO. The majority of the stock (50%), for a value then estimated at $700 million, will go to the beloved nephew Allegra, daughter of Donatella and Paul Beck.
The Brand Relaunched
The death of the founder does not open an easy time for the company which saw its business in decline right at the turn of the new millennium. At the end of 2000 the new company structure was outlined, focused on a holding company and two subsidiaries; the same year a long-term agreement was signed with Euroitalia, for perfumes and cosmetics. For several years the company had difficulty competing with the glories of the past. Multiple managers alternated at the top of the administration, until 2004, when the company found stability with Giancarlo Di Risio, who was ready to start the company reorganization by relaunching the brand. Advertising investments were enhanced, which involved more and more celebrities from the world of cinema and music. For Donatella, a famous testimonial communicates the character of a collection more easily and quickly. Celebrities who posed for advertising campaigns worldwide includes; Madonna, Demi Moore, Christina Aguilera, Halle Berry, Patrick Dempsey.
There was a lot of focus on upgrading the prêt-à-porter line, enlisting the two new fashion designers Warren Davis and Kinder Aguggini, respectively for the men’s line and the younger line. Also, Versace activated ambitious expansion policies in transversal luxury projects, diversifying its business with interior design and furnishing for private jets, yachts and helicopters.
It will also strengthen its territorial presence in the Far East with strategic agreements and acquisitions for a chain of Versace Luxury Hotels; the first of these opened in 2000 on the Australian Gold Coast, followed by another in Dubai. In 2006 the Versace Theater was inaugurated in Milan, a multifunctional space that also served as a location for future fashion shows. The following year is the tenth anniversary of Gianni’s death, which is remembered with a ballet by Maurice Béjart, presented at the Scala in Milan. Also, the biography The myth Versace (Dalai editore) is also published and a special scholarship is established that bears his name, in collaboration with the European Institute of Design.
Since 2008, while the collections received increasing support, the group announced an important expansion plan in Asia, which took shape in the following years with the opening of several stores in China. In 2010 more than 20 single-brand stores were presented in the “Asian giant” with excellent sales performance and further expansion forecasts. From 2009, Gian Giacomo Ferraris, took over from Giancarlo Di Risio, in the role of managing director. Gian Giacomo Ferraris cut costs, revised the network of direct shops and reduced investments. At this time, the brand officially announced the passage of the license of Versus from Ittierre to the Facchini group, which took charge of the production of clothing and accessories of the young line.
In 2010 there will be an increase in revenues that exceed the ceiling of €292.3 million, up 9.1% compared to the previous year. After the international crisis, a plan to reconquer Japan was planned, which in 2009 saw the closure of its three single-brand stores. Hiroshi Saito was appointed as chief executive officer of Versace Japan and opened new stores as well as additional points of sale to reinforce the presence of the brand in the area.
Collaboration with H&M
In 2011 important collaborations of media impact were signed. In June the partnership between the fashion house Versace and the Swedish clothing giant H & M was announced. Starting from November, the clothing chain would sell 40 women’s and men’s 20 pieces, including several accessories, for a low-cost, strictly limited edition line, signed by Donatella. A way to bring the Versace world closer to a younger and wider audience. There was the most iconic pieces of the whole Versace, but also what the fashion house represents today in its continuous evolution. There were famous prints, lots of leather and studs because Versace is sexy and glamorous but also rock’n’roll.
Starting from July 1, 2011, Versace gave life to another collaboration with a strong media echo, announcing that it will wear the International Football Club of Milan. The agreement is signed between the fashion house and the Nerazzurri company, with the supply of official uniforms for managers, coaches, technical staff and players.
Versace in now owned and managed by the family (50% Allegra Beck Versace, 30% Santo Versace, 20% Donatella Versace). Currently, Santo Versace is president of the group’s board of directors and Donatella is creative director as well as vice president of the board of directors. The company creates, produces and distributes luxury and lifestyle products including the Haute Couture Atelier Versace range, ready-to-wear collections, accessories, jewelry, watches, eyewear, fragrances and home furnishings and the second Versus line.
Today the Gianni Versace S.p.A. It is one of the most prestigious names in the international fashion luxury scene. The brand distributes its products through a network of 110 boutiques present in the main cities of the world, plus the 123 shop in shops dedicated in the main department stores and multi-brand stores.
Alberta Ferretti is an Italian fashion designer, founder of the homonymous clothing line, and vice-chairman of the AEFFE Group board of directors, founded in 1981 together with her brother Massimo.
Alberta was born in Gradara, in the land of Romagna. Always having a great sense of aesthetics, her first steps of success include working in her mother’s tailor shop where she learned how to handle the fabrics, to know the sophisticated colors and become familiar with the workings. Her sartorial DNA and ambition is so strong that, at just 18 years, she opened her first boutique, in Cattolica, an experience which put her in direct contact with the needs of customers and refined her intuition in anticipating the trends of fashion and the desires of women.
In 1974 she produced her first collection that will earn great success among the insiders; encouraged by the public response, six years later, together with her brother Massimo, they founded the company AEFFE, which bears her initials. Over the years the company became a powerful corporate group that controls and produces, in addition to the Alberta Ferretti line, also the Moschino, Pollini brands and Velmar. From the eighties onwards, business developed in an unstoppable way. The company launched the Philosophy line, again designed by Alberta Ferretti, aimed at a younger target and positioned on a lower price range. The company purchased licenses for the production of prominent prêt-à porter brands such as Jean Paul Gaultier, Authier, Cacharel and Marithé & François Girbaud.
Acquisitions of equity packages from various other companies began, confirming AEFFE’s strength in moving as an international holding company. While Brother Massimo will take care of the economic and management part of the company, Alberta will always keep in hand the creative direction, focusing on his feminine creations distinguished by pure lines, essential and decorations with precious embroidery. Collections that will be appreciated all over the world allowing the opening of numerous boutiques and corner shops in shops on four continents. Particular attention will be devoted, in recent years, to the Far East market, on which the company is moving, in line with market trends, to further expand its presence.
The designer, over the years, stood out as particularly sensitive to the care of artistic and cultural heritage. In 1994, with a group of companies and the patronage of the City and the Region, will promote the titanic restoration of the medieval village of Montegridolfo, near her birthplace, on the border between Romagna and Marche.
After about six years of work, the village regained its lost identity, appearing as it was at the origins and finding economic sustainability as a new tourist destination. The use demonstrated in the enhancement of this architectural and landscape heritage will be worth, in 2000, the honorary degree in Conservation of Cultural Heritage, conferred by the University of Bologna. The same university institute, in 2003, called her by assigning her a chair to hold a master’s degree in “Production and Culture of Fashion”.
Alberta Ferretti Awards
During her career Alberta Ferretti will be the recipient of numerous awards including the The Romantics award from the International Fashion Group in New York, the La Kore Award as Stylist of the Year in 2003, the Career Award given to her by the Mayor of Rome Walter Veltroni as well as the prestigious honorary title of Cavaliere del Lavoro of the Italian Republic.
In 2010, as an organic extension for the company, Alberta Ferretti Forever, a special bridal collection was introduced. The dresses are romantic and airy through use of chiffon with delicately added embroidery, lace, ruffles or pleats. According to Aeffe S.p.A. annual report for 2015, the Alberta Ferretti brand increased by 17.0% and the brand’s net sales were €23.94 million, while the company total revenue was €274.04 million.
To keep up with the new trends in the luxury market, the Pre-fall 2017 collection included a capsule called Rainbow Week, which was available for See-Now-Buy-Now sale. Rainbow Week is brand’s first capsule knitwear collection which includes seven sweaters in different colours with the day of week written on them. The sweaters were endorsed on runway by both men and women, which reflect the other tendency in fashion world, gender fluidity. Today AEFFE is a corporate group that generates more than €200 million in revenues per year, employs 1,300 and produces 2 million garments a year, distributed in a network of 190 single-brand stores and over 6500 selected points of sale.
Yves Saint Laurent (1936) is a French designer born in Oran in Algeria. He entered the fashion world officially in 1957, when, as the 21-year-old assistant to Christian Dior, he was asked to take over when the master died of a heart attack in a hotel in Italy.
The Trapeze collection established the young designer as the child prodigy of French haute couture, despite only just having graduated from the École de la Chambre Syndicale de la Couture in Paris. He distinguished himself from his predecessor by the decisiveness of his sartorial cuts and by the soft but quintessential lines, which bore witness to his complete independence from the rest of the French fashion scene and his supreme individuality.
Saint Laurent On His Own
Yves Saint Laurent worked at Maison Dior until 1960 when was called up to do military service in Algeria. It is there that he learned, from his friend and future associate Pierre Bergé, the sad news that Christian Dior had replaced him with a new designer, Marc Bohan.
When he returned to Paris, he decided to set up on his own. With the help of Bergé and the financial backing of the American, J. Mack Robinson, he officially opened his studio in the Rue Spontini on 20 January 1962, and presented his first signed collection. His success was immediate. His designs were snapped up by France’s high society and by buyers from the American department stores, who appreciated the value of a line that was not overly elaborate but used well researched fabrics. Meanwhile, the fashion press acclaimed the impeccable cut of his suits, which became the only true rivals to Chanel’s style.
The next collections drew inspiration from history, art, and literature. It revealed the designer’s passion for the cultural world and, in particular, for the theater, for which he often designed costumes. In 1966, he introduced a women’s version of black tie for evening wear, a simple black outfit comprising a jacket with satin lapels and a skirt or pants, to be worn as an alternative to the traditional long dress.
The work of Matisse (1981), the paintings of Picasso (1979), Pop Art (1966) and even the writings of Marcel Proust, which prompted the taffeta dresses of Winter 1971-72 and offered him continuous sources of inspiration.
In 1965, minimalism and the geometrical works of Mondrian influenced one of his most successful collections, which is remembered for its rigorous lines, jersey dresses, and vinyl raincoats.
The collection of Winter 1976, dedicated to the Ballets Russes, won international acclaim and was said by the New York Times to be “revolutionary, destined to change the course of fashion.”
His exotic origins and the years of training spent in direct contact with the Arab world permeated his style. The strength and unusual combination of colors, the opulence of the fabrics, the richness of the embroidery, the inventiveness of his prints and some ethnically inspired garments. Such as the sahara jacket or djellaba, which were the hallmarks of his style, all the while combined with great formal rigour. Nor should not be forgotten Saint Laurent’s penchant, like that of Chanel before him, for putting tailored cuts and the main features of the male wardrobe into his womenswear collections.
In 1964 he created his women’s fragrance Y, the first in a successful series, which included the bestsellers YSL pour homme (1971), Rive Gauche (1971), Eau Libre(1975), Opium (1977) and Kouros (1981). In 1978 he lent his name to a range of beauty products, which added cosmetics to the brand and, in 1992, he chose French actress Catherine Deneuve, a client of his since the 1960s, as a face for his advertising campaign.
In 1966 Saint Laurent and Bergé were among the first to introduce a marketing strategy into the world of haute couture that has now become common, which was to establish the ready-to-wear line (Yves Saint-Laurent Rive Gauche) to be sold in franchised boutiques. From the beginning it was never intended as a substitute for haute couture, but as a field of great creativity, releasing original and sought-after designs into the market.
Production was entrusted to C. Mendès, a company that manufactured other ready-to-wear brands, such as Patou, Grès, and Chanel. The decision to enlist a single supplier to tailor the clothes, working exclusively for the brand, turned out to be a sign of great foresight, a move well ahead of its time. The success of 1970 made Yves Saint-Laurent Rive Gauche the leading exporter of luxury ready-to-wear womenswear.
In December 1982, the business expanded to create a second line, Variation. Sales increased as a result of granting licenses, which functioned in such a way to ensure that the Saint-Laurent colors, design, and image were respected. The main store at Rue Spontini became too small and Saint Laurent moved to 5 Avenue Marceau.
Museums throughout the world, from the Metropolitan in New York (1983) to the Musée des Arts de la Mode in Paris (1986), to the Sezon Museum of Art in Tokyo (1990), to the Musée de la Mode in Marseilles (1994) have dedicated retrospective exhibitions to the designer, celebrating his creativity and hailing him as one of the greatest ever contributors to the history of fashion. The Group was quoted on the Stock Exchange in Paris in 1989. Today the estate is owned by Franµois Pinault as part of the holding group PPR.
Saint Laurent Leaves
In 1999 Yves Saint Laurent was bought by the Gucci Group. In 2000, the creative director, Tom Ford, rejuvenated the company, brought back its ‘sex appeal’, and implemented the best marketing. But Saint Laurent and Bergé were not convinced, and both had some disagreements with Tom Ford.
Later in January 22, 2002 on the runway at the Centre Pompidou, Saint Laurent made his final exit from the fashion scene with an outstanding retrospective fashion show of 300 designs from the past and present. The atmosphere in the room was feverishly high, especially at the end when Catherine Deneuve sang for her lifelong friend Ma plus belle histoire d’amour c’est vous [You are my greatest love story]. Saint Laurent read out a long and personal farewell letter:
“I believe I have never betrayed the boy who showed his sketches to Christian Dior with the greatest of trepidation… I have lived for this job, have always loved it and respected it to the very end. Fashion is not art, but needs an artist to exist. Clothes are certainly less important than music, architecture, or painting, but they are what I knew how to do and did, perhaps contributing to the transformations that have taken place during my lifetime. Today, we no longer strive only to make women look more beautiful but also to reassure them. Many people exorcise the ghosts of their ego through fashion, whereas I have always wanted to put myself at the service of women, serving their bodies, their movements, their very lives.” About his life, the designer said, “I have known those false friends, drugs and tranquilisers, and the prison of depression and clinics. I belong to what Marcel Proust called ‘the magnificent and pitiful family of neurotics’.”
Tom Ford and Stefano Pilati
In June 2002 Stefano Pilati, a probable successor to Tom Ford, took over the complete creative direction of accessories and luggage. Pilato provided a completely new stylistic point of view; the excessive sensuality of his predecessor gave way to a more classic, discreet, and bourgeois elegance.
Later, in December with 850 square meters of floor space, the new Yves Saint Laurent Rive Gauche store that opened in Milan became the famous French label’s largest in Europe. The space at number 27 Via Montenapoleone (formerly Gucci) replaced the existing shop at number 8 Via Verri, which was in turn replaced by an Alexander McQueen boutique.
In December 2002 Saint Laurent and his right-hand man Pierre Bergé gained public interest and recognition for their Foundation which occupies the building in Avenue Marceau. From this point on, the designer focused on the activities of the Foundation, which houses 5,000 dresses and 15 objects from the private collections of Saint Laurent and Bergé. The Foundation awards study bursaries and organizes fashion and contemporary art exhibitions.
Ford decides to leave the company in 2004 and Stefano Pilati, who has worked with Ford for YSL since 2000, becomes his successor, becoming the new creative director. At first Pilati receives negative reviews, but then, thanks his interpretation of masculinity and femininity, he got the support of the fashion system.
In 2012 Hedi Slimane becomes the new creative director, leading the newly-named, Saint Laurent, label to a huge success. Slimane was also in charge for the exhibition, “Yves Saint Laurent: The Retrospective”, at the Museum of Art Denver (March 25-July 8, 2012). The exhibition was memorable, including all historical products, leading Bergé to declare “Yves Saint Laurent would be very proud to be here.”.
Hedi Slimane contributed remarkably to the Fashion House and surprised everyone when he decided to leave in March 2016. In April 2016 Yves Saint Laurent choose Anthony Vacarello as their new creative director, known for his talent and creative mind.
In Marrakech, the 4,000-square-metre building was designed by Studio KO, and is located near the famous Jardin Majorelle. The building holds exhibition spaces, an auditorium, a boutique, and an open-terrace café. Also, a research library that holds more than 5,000 books related to fashion, literature, poetry, history, botanics and Berber culture.
In September and October 2016 the Yves Saint Laurent museums in Paris and Marrakech opened. The museums are a tribute to the loved designer, Saint Laurent, who died in 2008, always in the spotlight and his well known companion Pierre Bergé. Sadly, Pierre Bergé, the brand’s former chief executive and key collaborator, died on September 8th at age 86 and was not able to see the final product.
In comparison, the very different in style newly unveiled Parisian museum is located in the hôtel particulier at 5 Avenue Marceau where Yves Saint Laurent spent nearly 30 years designing his collections from 1974 to 2002. A rotation of retrospective displays and temporary thematic exhibitions will be on display.
Gianfranco Ferré was born in Legnano (Milan) on August 15, 1944.
After earning his high school diploma specializing in sciences, he enrolled in the School of Architecture at the Milan Polytechnic Institute. In 1969 he graduated, presenting a thesis on the “Methodology of the Approach to Composition” with Franco Albini, an architect, as his major professor.
His very first, quite off-hand entry into the world of fashion took place in the same years. Ferré designed jewelry and accessories that he would then give to friends and classmates. Rosy Biffi, a true talent scout as well as the owner of one of Milan’s edgiest boutiques, had occasion to notice the creations. She mentioned them to Ileana Pareto Spinola and Anne Sophie Benazzo, two women who were so impressed by these handcrafted items that they suggested buyers might take an interest in them. At that point prominent Italian fashion editors (initially, Anna Piaggi and Anna Riva) happened to spy the creations. This led to coverage in major specialty mags and in 1971 one of the accessories appeared on the cover of the Italian monthly “Arianna”. Ferré’s early debut on the scene proved very successful. It even attracted the attention of leading Italian journalist Camilla Cederna, who talked about Ferré in her weekly column for the newsmagazine “L’Espresso”.
In 1973, the young architect-designer made the first of his many trips to India, where up until 1977 he spent long periods working for the Genoa-based San Giorgio Impermeabili clothing company owned by the Borelli family. In India he designed and had manufactured the company’s “Ketch”collection. At the same time, he had the chance to visit every part of the country and to study local craftsmanship and production potential, also on behalf of the Indian government. Ferré fell literally under the spell of India, a land where he consolidated his professional training and embarked on his creative path. From India he learned a fundamental lesson of life, all about the colors, scents and shapes forming a whole with feelings, sensations and emotions. It’s a lesson that he would later transfer to and instill inextricably in his collections, through his own remarkable way of reminiscing and remembering.
The First Collection
In the same years, during his stays in Italy, he did free-lance work designing accessories for prominent fashion names such as Walter Albini and Christiane Bailly, as well as knitwear and swimwear for other companies in the sector. His swimsuits debuted on the catwalk at the “MareModa Capri” event, winning a prize that marked the first of many the designer would earn throughout the course of his career.
In 1974, Gianfranco Ferré began designing his first collections, hosting his first fashion shows, in particular for the “Courlande” and the “Baila” labels , the latter which belonged to Franco Mattioli, a Bolognese industrialist who in 1978 would become his business partner.
A Brilliant Career
In May of 1978, in fact, the Gianfranco Ferré company was set up on Via San Damiano in Milan (later the headquarters would move to Via della Spiga). In October of the same year, Ferré presented his debut signature women’s ready-to-wear collection with a show at the Principe di Savoia Hotel in Milan, truly a thrilling moment.
In addition to the launch of the men’s clothing line in 1982 , and to the introduction of a wide range of accessories and other products on license in partnership with leading companies in the various respective sectors, Ferré made a mark with two other key experiences: the creation of his own Alta Moda collection (1986-1989) and his extraordinary adventure at the finest and most storied of French fashion houses.
In 1983, he helped to develop the curriculum for Domus Academy, the new Milan-based Design, Design Management and Fashion Design Post-graduate School where up until 1989 he taught the course in Dress Design: analysis of dress design and relation to changing fashion, analysis of the design project from start to finish.
In May of 1989, Gianfranco Ferré was appointed Artistic Director of Christian Dior for the women’s Haute Couture, Prêt à Porter and Fourrure lines. Confirmation of the Dior appointment up to 1996 came in 1993.
In the fall of 1998, on the occasion of the brand’s twentieth anniversary a series of events important for the company’s future culminated with the grand opening in Milan of the new headquarters on Via Pontaccio: in the former Gondrand building, after a total renewal based on the initial project by Marco Zanuso, then completed by Franco Raggi both on the level of the executive project and interior architecture.
The Last Years
In 2002, the Gianfranco Ferré Company was acquired by Tonino Perna’s IT Holding Group. Gianfranco Ferré became Artistic Director of the house.
In March of 2007, Gianfranco Ferré was appointed President of the Brera Fine Arts Academy in Milan.
After suffering a brain hemorrhage, Gianfranco Ferré died in Milan on June 17, 2007.
Events, Exhibitions and Projects
1975: Creation of garments for SNIA’s “Dressing in Jersey” project
1976: Creation of garments for the project “Pizzi e Rasi” of SNIA, Milan; creation of garments for the project “The day of a child” by Leacril Montefibre, Milan; creation of garments for the project “New signatures for new projects” of SNIA, Milan
1977: Creation of garments for the “SNIA per 6 sports” project, Milan
1978 / ’79: Creation of garments for the “Zegna Baruffa” yarns at Pitti Filati, Florence; event – fashion show for “Saks Fifth Avenue“, New York
1981: Creation of the representation uniform for Lea Pedini, Capitana del Popolo, Regent of the Republic of San Marino, worn on the occasion of the inaugural ceremony, Milan.
1982: Participation in the exhibition “Intimate Architecture: Contemporary Clothing Design”, Massachusetts Institute of Technology (MIT), Boston; Fashion show at the Massachusetts Institute of Technology (MIT), linked to the exhibition “Intimate Architecture: Contemporary Clothing Design”, Boston; participation in the “Design in Italian Society in the Eighties” exhibition: traveling exhibition in the USA, by the La Jolla Museum of Contemporary Art, San Diego
1983: Sponsorship of the restoration of the Guercino frescoes in the dome of the Duomo of Piacenza; participation in the exhibition “Creators of Italian Fashion 1920-1980” at the Daimaru and Costume Museums of the Academy of Fashion and Costume, Osaka and Tokyo; participation in the “The Best Five” event, annually organized by the Japanese newspaper Asahi Shimbun and by WWD Japan, Tokyo; parade-night event in Piazza Santo Stefano, Bologna
1984: Event – “Gianfranco Ferré” fashion show, in the setting of Osaka Castle; participation in the exhibition “Il genio antipatico” at the Galoppatoio of Villa Borghese, Rome; participation in the “Alla Moda di Torino” Convention; event-fashion show at the “Modewoche”, Munich; project of a carpet for Sisal, exhibited at the exhibition “Italian design for the western carpet”, on the occasion of the Salone del Mobile, Milan; project for B & B Italia, to dress sofas and armchairs of the series “Gli abiti”, designed by Paolo Nava, Milan; costumes for the theater “Tamara”, Los Angeles and New York; creation of T-shirts for “T-show. History and new styles in the T-Shirt “, project realized by the Cotonificio Cantoni textile group, Legnano
1985: Participation in the “Italia. The Genius of Fashion”, New York; exhibition at the Museo Civico Medievale, Bologna; participation in the “RENart” project, a series of free and different interpretations of the Renault Supercinque model, with Alessandro Mendini, Mario Merz, Ugo Nespolo, Michelangelo Pistoletto, Paolo Portoghesi, Franco Maria Ricci and Ettore Sottsass, Milan
1986: Participation in “Italia: il Genio della Moda”, exhibition curated by Pia Soli, Milan; costumes for “This is the Arena, Maria Callas was born here”, a charity evening for aid to Third World countries, Verona; fashion show at Trinità dei Monti, with a selection of garments from the Gianfranco Ferré Alta Moda Fall / Winter collection 1986-87, Rome
1987: Event for the presentation of the “Gianfranco Ferré” Women’s Perfume in Greece at the Hotel Grande Bretagne, Athens; event for the inauguration of the Gianfranco Ferré boutique, Rome; participation in the RAI television event, organized by the magazine “Moda” of Edizioni E.R.I. at the Gardens of Villa Reale, Milan; fashion show at the Yurakucho Asahi Hall on the occasion of the opening of the boutique in Sonnette Aoyama, Tokyo
1988: Participation in the “Tartan” exhibition at the Fashion Institute of Technology, New York; participation in the “Moda Italia” exhibition organized in collaboration with ICE, New York; participation in “Progetto Uomo ’88” organized by Saga Furs and dedicated to men’s fur, Milan
1989: Participation – the only fashion designer – at “Italian Manifesto”, 39th International Design Conference, Aspen; lecture: “The path of the project”; creation of garments for “Lana Gatto” collection A / W 89-90 at Pitti Filati, Florence; participation in the “La Moda Italiana for the Floriani Foundation” event with Gianfranco Ferré Fourrures, Milan; sponsorship of the project of the European School of Oncology aimed at creating the Foundation of the same School, aimed at financing its activities, Milan; participation in the “La Moda Italiana for the Floriani Foundation” event with Gianfranco Ferré Fourrures, Venice; charity event in favor of the Italian Association for Cancer Research at Palazzo Butera, Palermo
1990: Creation of a new mask for the Ambrosian Carnival proposed in the exhibition at Palazzo Dugnani, Milan; participation in “The Art of Fashion”, Diana Vreeland Fund for Exhibitions of the Costume Institute of the Metropolitan Museum of Art, New York; participation in the exhibition “Moments of Italian design in industry and fashion”, Seoul; participation in the “Florence dreams” event in the Loggia of the Uffizi Gallery, Florence; participation in the “Italia ’90” fashion show, with clothes inspired by Europe, at the San Siro Stadium, Milan; creation of mink garments for the American Legend show, Palazzo della Ragione, Milan; event-fashion show for “Association of Total Fashion”, Tokyo
1991: Participation in the International Textile Forum, organized by the Ratti Foundation, Como; lecture: “Stilism and creativity before the challenges of the new millennium”; charity evening in favor of ANLAIDS – Lombarda section with Gianfranco Ferré fashion show and Gino Paoli concert, Galleria Theater, Legnano; fashion show at the opening of the Gianfranco Ferré boutique in Washington D.C
1992: Participation in the first “Convivio”, as promoter with Armani, Valentino and Versace, Milan; “Gianfranco Ferré” fashion show and launch of the “Ferré by Ferré”perfume at the Opéra Comique, Paris; event-show “Das Gesicht 92”, Berlin
1993: “Chic ’93” event, promoted by the China Tiangong Clothing Science & Technological Development Group, Beijing; “Gianfranco Ferré Uomo” fashion show at the Stazione Leopolda, Florence; guest of honor at the inauguration of the “Creative Haus“, Duesseldorf
1994: Heads exhibited in the exhibition “Japonism in Fashion” at the National Museum of Modern Art, Kyoto; participation in the Ravenna Festival, Ravenna; lecture: “Dreams and visions”; participation in “The Fashion Group International Night of Stars”: special tribute to Bernardine Morris, New York; participation in the Enka Viscose project “Creativity at the Opera”, Milan
1995: “AIDS Project Los Angeles” event-show at Century Plaza Hotel, Los Angeles; event-fashion show at the National Palace of Culture, Sofia; “Rédacteur en chef” of the special Christmas issue of “Le Point”, Paris; participation in the exhibition “Between Fashion and Design. Infinite line “at the Palazzo della Triennale, Milan; Studio 000.1 event by Ferré, New York; creation of a dress for the fashion show “Fashion’s world health to peace”, Caesarea / Israel; creation of a quilted stole for the project “A heart for a friend” by ANLAIDS, Milan
1996: Gieffeffe perfume launch event at Saks Fifth Avenue, New York and San Francisco; lecture: “Créateur and couturier experience”, Fashion Institure of Technology, New York; exhibition of drawings, Academy of Art College, San Francisco; participation in the Second International Forum on car style, Turin; lecture: “Design in Fashion”; participation in the first Fashion Biennial “Time and Fashion”, installations in the Cappelle Medicee, Florence; creation of a Christmasgateau exclusively for Lenôtre, Paris
1997: Sponsorship of the F.A.I. event al Castello di Masino “The elegance of the eighteenth and nineteenth centuries, historical clothes from the Masino Gallery of the Costume of Florence”; participation in the seminar of courses in “Theories and techniques of Architecture” at the Polytechnic, Milan; lecture: “Composition and Fashion”; “Ferré Week”, with a show at the “Sezon Theater”, Tokyo; exhibition “A white story”, Seibu Ikebukuro, Tokyo; lecture: “Designing the subject”, United Nation University, Tokyo; lecture: “The jewel between East and West. A path between design and fantasy “, Domus Academy, Milan; creation of clothes for Dario Fo, winner of the Nobel Prize for Literature, and for his wife Franca Rame, Stockholm; creation of a sheepskin blouson for the charity event “21 designers rething shearling for benefit”, Paris; creation of a denim blouson for DIFFA – Design Industries Foundation Fighting AIDS “, Dallas
1998: Lecture: “Fashion in the Present, Fashion in the Future: the Values of Creativity” Association for Development in the Fashion Industry, University of Bologna, Bologna; participation in the final plenary session of IAF 1998, Palazzo dei Congressi, Florence; lecture: “The consumer at the center of the fashion designer’s strategy”; opening of the headquarters in Via Pontaccio 21, Milan; party to celebrate the 20th anniversary of the “Gianfranco Ferré” label, Milan; “Immaginario” exhibition-labyrinth in via Pontaccio, Milan; fashion show and charity event in favor of British Red Cross, Banqueting House, Whitehall, London; lecture: “Designing the subject”, Central Saint Martin’s College of Arts & Design, London; participation in the “Intimare” exhibition with the collection “Gianfranco Ferré Underwear” Uomo e Donna, Bologna; fashion show of the GFF Donna Fall / Winter 1998-99 collection, Teatro Franco Parenti, Milan
1999: “F & F” project: packaging for the “Brunello da Montalcino Riserva 2000”, production by Marchesi Frescobaldi, Milan, Berlin, New York, Tokyo; event of Ideacomo, Villa d’Este, Cernobbio; exhibition “Fifteen years of partnership with Sàfilo”, via Via Pontaccio, Milan; costumes for the Biennale Danza created for Carla Fracci and Carolyn Carlsson, Venice; creation of a leather model for the sprinter Marion Jones for the “Tag Heuer” exhibition, Milan; participation as a guest of honor at “Donna sotto le stelle” at Trinità dei Monti, to celebrate 20 years of activity, Rome; creation of costumes for “Le ballet du cadre noir de Saumur” with the étoile Patrick Dupont at the Stade de France, Paris; participation in the “Furtherfantasy” photo exhibition organized by Vogue Italia at the Galleria Giò Marconi, Milan; participation in the exhibition “50 anos de mode italiana”organized by the National Chamber of Fashion Italy, curated by Fiorella Galgano, with the support of Italian and Brazilian authorities and cultural institutions in several cities of the country.
2000: Participation in the “Le Teddies de l’an 2000” project in favor of British Red Cross, Montecarlo; donation of clothes and accessories from the historical archive Gianfranco Ferré to the Costume Gallery of Palazzo Pitti, Florence; exhibition “Other Emotions”: garments donated to the Costume Gallery of Palazzo Pitti, in an exhibition by Margherita Palli, Florence; donation of archive items to the Fashion Institute of Technology, exhibited at the exhibition “The Corset Fashioning The Body” at the F.I.T. New York; creation of personalized labels for Evian mineral water bottles at Milano Moda Donna AI 2000/01; participation in the “Momi Intimo Designers” event, Fiera Milano
2001: Heads exhibited at the exhibition “Uniform. Order and disorder”at the Stazione Leopolda, Florence; guest of honor at the “Shanghai International Fashion Culture Festival”, Shanghai; lecture: “Creativity and working method”, Fashion Institute, Dong Hua University, Shanghai; event-fashion show at the Museum of Art History, Vienna; participation in the exhibition “Silk. The twentieth century in Como “, organized by the Antonio Ratti Foundation in Villa Olmo, Como; participation in the exhibition “The Entertainers. The power of accessories” at the Stazione Leopolda, Florence; participation in the “Frock and Roll” fashion charity event, organized by Naomi Campbell and Harvey Goldsmith in favor of the “Nelson Mandela Children’s Fund”, together with Alexander Mc Queen, Barcelona; dresses from different collections selected by Luca Ronconi for the “Phoenix” show by Marina Cvetaeva, Piccolo Teatro, Milan; “Gianfranco Ferré Style for men” event in collaboration with Esquire USA, with a still-life display of garments and accessories from the different lines by Man designer, New York
2002: “The Best of Gianfranco Ferré” fashion show at the headquarters via Pontaccio, Milan; joining Poste Italiane’s initiative: series of “Design Italiano Alta Moda” stamps, Milan
2003: “Gianfranco Ferré” fashion show-run at the Jeau de Paume Museum, Paris; event for the opening of the spa “E’SPA Gianfranco Ferré” in the renovated boutique in via Sant’Andrea, Milan; event-fashion show with the direction of Asia Argento for the debut of the GF FERRE ‘Donna e Uomo line at Superstudio +, Milan; event-parade of garments inspired by the female characters of opera, State Opera, Vienna; garments exhibited at the Musée des Tissus in the “50 and de mode Italian” exhibition, Lyon; leaders exhibited at the exhibition “Noches Italianas: trajes de excepcion para mujeres extraordinarias” (1950-1990) “hosted in museums in Latin America; guest of “The Monday of Milanese friends” at the Center Culturel Français, Milan; lecture: “The tailor of the two cities”; participation in the “GenovanversaeviceversA” exhibition, promoted by the Modemuseum, with clothes, fabrics and accessories, Antwerp; dresses from different collections selected by Luca Ronconi for the show “Peccato sia sia un sgualdrina” by John Ford on stage at the Piccolo Teatro, Milan; participation in the “Pigotte d’Autore” project, with a charity auction for Unicef, Reggio Emilia; participation as guest of honor at the inauguration of the exhibition “I mantelli delle Castellane” at the headquarters of the Banca di Legnano; event – “Oiseaux d’art” exhibition with an exhibition of the works of the artist Gregory Morizeau in the Gianfranco Ferré boutique in Milan; presentation dinner of the “Essence d’Eau” Women’s perfume in the Gianfranco Ferré offices, Milan; creation of representation seals for football club FC Bayern Muenche
2004: Protagonist and guest of honor of the “Life Ball” event-show, 2004, Vienna; items exhibited at the “Excess” exhibition at the Stazione Leopolda, Florence; participation in the TV event “La notte delle stelle” at the Teatro Ariston, Sanremo; participation in the “La mode dessine l’espoir” project, at the invitation of the “Dessine l’espoir” association and under the patronage of the French Ministry of Culture, Paris; supply of archival clothing as costumes for “Peccato alle puttana” by John Ford, directed by Luca Ronconi for the Piccolo Teatro, Milan; opening event of the Gianfranco Ferré boutique on Madison Avenue, followed by dinner at “Le Grenouille”, New York City; participation in the “Carousel Ball of Hope’s Toy Car” solidarity project promoted by Mercedes Benz for the Children’s Diabetes Foundation, Los Angeles; participation in the fashion event organized by Ferrari and the Italian National Chamber of Fashion, Shanghai
2005: Creation of flight and ground personnel uniforms for Korean Air, Seoul; participation in the “Una notte a Roma” television event in Piazza Navona, Rome; fashion show-event for “Fashion in Motion”, Victoria & Albert Museum, London; guest of honor of “Festa Italiana”, Mumbai and New Delhi; creation of uniforms for the hostesses of “Première Vision”, Milan; participation in the “West looks East” solidarity show-event, Washington; participation in the exhibition “The thread becomes history”, organized in the Costume Gallery at Palazzo Pitti on the occasion of the thirty years of Lineapiù, Florence; “stamp” creation for the ten years of “Io Donna”, Milan; launch of the “Gianfranco Ferré Special Order” project: creation of evening garments in different sizes and colors from those presented on the catwalk for individual clients, Milan
2006: Event-fashion show for the inauguration of the Boscolo Hotel in the historic building of the New York Café, Budapest; exhibition “MEx32”, with the creation of 32 T-shirts inspired by the countries participating in the World Soccer Championships, proposed in the Gianfranco Ferré, Florence and Milan boutiques; participation in the “Human Game” exhibition at the Stazione Leopolda, Florence; participation in the “Genio y Figura” exhibition at the Museo del Traje, Madrid; participation in the “Passion for fashion” TV show-event at the Manoel Island, Valletta; participation in “Luxury Conference 2006” organized by the International Herald Tribune at the Sheraton Hotel, Istanbul; lecture: “Exotic inspirations”; solidarity event in favor of the Francesca Nava Foundation: a show by René Fleming at the Teatro alla Scala and a gala dinner at the Gianfranco Ferré headquarters in honor of the soprano, Milan
2007: Sponsorship of the restoration of the painting “Adamo crying Abel” by Johan Karl Loth, exhibited at the Uffizi Gallery, Florence; Donna AI 2007/2008 fashion show: the rock singer Skin wears a top studded with authentic diamonds, at the fashion show follows a live concert at the headquarters in Via Pontaccio, Milan; TV show-event at the Lufti Kirdar Convention and Exhibition Center on the occasion of the first edition of the “Fashion TV Turkey Awards”, Istanbul; lecture: “The forms of emotions. Shaping emotions” at the Faculty of Architecture, Politecnico, Milan; creation of a wedding ring for the exhibition “Eternal Platinum – The ultimate Symbol of Love”, hosted at the Palazzo della Triennale, Milan; October: Participation in the exhibition “Contro Moda. The contemporary fashion of the permanent collection of the Los Angeles County Museum of Art”, Palazzo Strozzi, Florence
Awards and Recognitions
70s / 80s
1976: July, Capri: “Tiberio d’oro”, prize of “MareModa Capri”
1982: October, Milan: “Golden Eye” for the best women’s collection P / E1983
1983: March, Milan: “Golden Eye” for the best women’s collection A / W 83-84; November, Tokyo: “The Best Five”, recognition of the Japanese newspaper Asahi Shimbun and WWD Japan
1984: September, Genoa: recognition of the Chamber of Commerce; October, Milan: “Occhio d’oro” for the best women’s spring / summer collection in 1985; November, Hollywood: Recognition for the costumes of the theatrical piece “Tamara”
1985: March, Munich: “Modepreis”, as the best fashion designer of the year for women’s fashion; April, Bologna: Recognition of the Municipality; May, Mantova: recognition of the “Gazzetta di Mantova”, as part of the “Fashion Awards” event; June, New York: “Cutty Sark Men’s Fashion Award”, as the best fashion designer of the year for men’s fashion; September, Varese, Golf Club: Cup for participation in the collection of vintage bouts and Haute Couture; December, Milan, Palazzo Marino: “Ambrogino d’Oro”, medal of civic merit of the City of Milan
1986: January, Rome, Palazzo del Quirinale: honor of “Commendatore of the Order of Merit of the Italian Republic”, by the President of the Republic Sen. Francesco Cossiga; March, Milan: “Golden Eye” award for the best women’s collection A / W 86-87; May, Bologna: plate of “Linea Pelle” to recognize the creative commitment; May, Palermo: AIRC recognition from the City of Palermo; November, Legnano: “Tessera d’Oro” of the Legnanese Family
1987: arzo, Milan: “Occhio d’oro” for the best women’s collection A / W 87-88; May, Tokyo: plate of the “Association of Total Fashion”; November, Legnano: recognition of the Legnano Lions Club and Legnano Carroccio Lions Club in joint session; Turin: “Cavour d’Argento” award. City of Turin”
1988: April, Busto Arsizio: Rotary Professional Award
1989: May, Milan: “Telegatto” Prize, among others awarded, Giulio Andreotti and Enzo Biagi; July, Paris, Palais Galliera Gardens: “Dé d’or” after the first Haute Couture collection for Christian Dior, as the best couturier of the season; July, Rome: special recognition as a fashion character in 1989, by the Associazione di via Borgognona; September, Ischia: “Modaischia 1989” award; November, Legnano: certificate of civic merit of the City of Legnano; December, Milan: “Occhio d’oro” which consecrates the “signature of the year of Italian fashion”; December, Milan nominates “Milanese of the Year” from the “Meneghina Family”
1990: March, Milan: “The great protagonists”, prize of the “Italian Fur Association”; June, Milan: recognition for participation in Italy ’90; October, Florence Palazzo Vecchio: “Lorenzo the Magnificent”, award of the “Medicean International Academy”
1991: prile, Legnano: recognition of the Busto Arsizio Cisalpino Lions Club; June, Florence, Palazzo Vecchio: “Il Fiorino d’oro” award, from the City of Florence; June, Los Angeles: Recognition of the County of Los Angeles and Music Center of the County of Los Angeles
1992: September, Mexico D.F .: “El sol de oro”, recognition of the Circulo Nacional de Periodistas as “Creador de la elegancia y distinction en European fashion”; December, Vienna: “Diva-Wollsiegel”, IWS award in collaboration with the magazine “Diva”
1993: May, Beijing: appointment to “Senior Adviser” from the “China Tiangong Clothing Science & Technological Development Group and National Garments Research”; official meeting with the President of the People’s Republic of China, Jan Zemin, in the Forbidden City; June, Florence, Palazzo Vecchio: “Pitti Immagine Uomo”, special prize of Pitti Immagine; November, Milan: “Paul Harris Fellow”, Rotary International Rotary Foundation Award
1994: May, Baveno: Lions Club “recognition” plaque; September, New York: “The Fashion Group International” award; November, Campione d’Italia: “Maschera d’oro”, from the Mayor of the City of Campione
1995: May, Los Angeles.Century Plaza: “Crystal Apple Award” special award of the “California Fashion Industry Friends of Aids Project Los Angeles”; November, Milan: “Circolo degli Incontri” plaque, awarded annually to Milanese personalities distinguished in the field of Art and Culture
1996: September, New York and San Francisco: recognition for the participation in the special events Saks Fifth Avenue dedicated to Gianfranco Ferré; October, Milan: “Masters of Linen” special prize of the “European Confederation of Linen and Hemp”
1997: May, Legnano: “Always Licenses” award from the city’s State Scientific Liceo
1999: March, Como, Palazzo Cernezzi: delivery of the City of Como’s keys by the Mayor; March, Como, Villa’D’este “Certificate of Ideacomo” in recognition of his talent and his culture; March, Milan: “Fur Fashion Award – special 50 years” special prize of the “Italian Fur Association”; July, Rome: award of the “National Chamber of Italian Fashion” for twenty years of activity, during the event “Woman under the stars”
2000: November, Legnano: card of the “Legnanese Family” “Member in the fiftieth year”
2001: April, Shanghai: appointment to “Senior Adviser of Garment Arts” by the Mayor of the City of Shanghai; May, Legnano: Grand Priory of the Contrada della Flora
2002: June, Milan: frieze from the Municipality of Milan
2003: November, Düsseldorf: “Kinder in Not”, UNESCO special prize
2004: March, Berlin, “Star Diamond Award” of “American Academy of Hospitality Sciences” for E’SPA at Gianfranco Ferré; April, Milan: “Silver lady”, prize of the “Association of Friends of the Poldi Pezzoli Museum” awarded to “Men and Women Who Make Great Milan”; September, Sanremo: recognition for participation in “Sanremo Fashion”; September, Milan: career award from “Chi è Chi del giornalismo e della moda”
2005: February, Milan, Teatro alla Scala: “Sigillo Longobardo”, from the Lombardy Regional Council
2006: July, Milan: “Certificate of Appreciation” by the Lions District 108Ib1
2007: March, Milan: appointment as President of the Brera Academy of Fine Arts
Founded in 1872, Pirelli is one of the world’s leading tire manufacturers, with 19 plants in 13 countries and a commercial presence of over 12,500 stores in over 160 countries.
Specialized exclusively in tires for cars, motorcycles, and related services, it is the only one in the industry to be a “pure consumer tire company”.
the company boasts a distinctive positioning in the High Value tires, products with a high technological component in which it has over 1,900 approvals thanks to a consolidated partnership with the most prestigious manufacturers.
Active in motorsport since 1907, the company is also present in over 460 motor and motorcycle championships, including the Formula 1 World Championship, of which it is the exclusive supplier since 2011 and represents a constant challenge in terms of technological innovation.
To achieve the highest levels in terms of performance, safety and containment of environmental impacts, the company has always been strongly committed to Research & Development. In particular on High Value tires, an area in which, over the last three years, it has invested an average of 7.4% of the relative revenues, one of the highest levels among the world’s largest producers in the sector.
The combination of Pirelli-clothing was born in 1877 in the factory founded by G.B. Pirelli for the processing of rubber, which kicks off the production of sanitary ware and haberdashery: overcoats, capes, coats for travelers, coachmen and soldiers. Technical, reliable, well designed and realized garments.
Over time, the Pirelli brand acquires a more and more glamorous aura: first with the famous calendar, and in more recent years with a communication strategy that involves great photographers and plays the cards of irony and sex appeal (as the image of sprinter Carl Lewis in start position and with stiletto heels, made by Annie Leibovitz in 1994).
Following the launch of the first calendars, according to a market research, the three adjectives that the public attributed to Pirelli were: glamor, sexy, fashion.
At the end of the 90s, the project was born to create a series of clothing and accessories that was no longer just technical, but also distinguished by a strong reference to the Pirelli world (the tread as a graphic inspiration, rubber as leitmotiv material) and a high design content.
In January 2002, the first lines of footwear for men and women under the PZero brand were presented. They were inspired by the technical sailing shoes in which the sole resumed the design of the tire tread created for Ferrari, the PZero, from which it took the name.
The success is such that, the following year, a line of clothing will be launched by Allegri and subsequently the watches were produced by Sector Group. These licenses were then followed by that of the glasses with De Rigo and that of children’s shoes.
The distribution was entrusted to multi-brand stores and to the Flagship Store in Milan. Among the foreign markets: France, England, Sweden, Spain, United States.
Afterwards, PZero brought back the production of sneakers and also the clothing industry.
In 2016 Pirelli PZero takes the name of Pirelli Design which is born as a natural evolution of the previous Pirelli PZero.
In keeping with their focus on the Prestige and Premium car segments, its objective is to enhance the Pirelli brand by developing targeted design projects that take advantage of the company’s technological know-how, together with selected partners representing the excellence in each sector of reference, in order to offer unique, iconic and unrepeatable products.
With this spirit, in 2017, collaborations of excellence were born, such as the one with the Maison Roger Dubuis, pure and extreme expression of the watchmaking manufacture with a strongly sporty spirit.
Together with Pirelli Design, Roger Dubuis conceives the Excalibur Spider, a collection of limited-edition 8 and 88-piece watches featuring a strap made from the blend of a Pirelli tire that has competed and won car races in major competitions. motorsport.
This collection will be followed in 2018 by Excalibur Spider Skeleton Automatic in elegant black titanium with intense blue or white-white accents of your choice. In these last Pirelli special editions with the Caliber 820SQ, the skeletonized and fluted titanium bezel with black DLC coating is completed by a overprinted crown of blue or white rubber, coordinated with the blue or white stitching of the strap.
To seal the union are the legendary motifs of the tread that reproduce the trace of the Pirelli CINTURATOTM Intermediate tire.
In February 2017 Pirelli Design presents the first Sport Carve Ski with rubber.
It is a ski in a limited series that guarantees a high level of performance with more pronounced sidecuts than normal to better adapt to the different snow conditions ensuring speed and maneuverability.
This ski was born from the partnership between Pirelli and Blossom, a leader in the “hand-made” construction of highly performing skisin compliance with the great artisan tradition of Val Chiavenna.
Within the sandwich construction of the ski, characterized by the superimposition of layers of various materials, they inserted an anti-vibration rubber layer that allows to damp up to 60% the energy of the stress suffered by the ski during the descent.
The end result is a ski that allows the skier to have excellent performance in both short and long-haul corners. As a result, skiing is safer, more fluid and more precise, guaranteed by the exceptional stability of the ski.
Identified by the iconic P logo of the long episode, it is presented in 7 colors inspired by the colors used by Pirelli to distinguish the competition tires. Each color is made in a limited and numbered series of 110 pieces in honor of the Pirelli Motorsport anniversary that in 2017 turns 110 years of activity.
In mid-2017, Tecnorib, one of the leading companies in the sector and already licensed for the PIRELLI inflatable boats for several years, launched the new PIRELLI 1900 model at the Cannes Boat Show, the new flagship that completes the range of inflatable boats. PIRELLI brand.
The new boat collects the legacy of the models that preceded it, enhancing their experience, know-how and technology, but adding for the first time to the strongly sporty DNA a liveability from a large yacht.
The Pirelli 1900 is immediately recognizable by a new unique design element reported on the rubber dinghy tube: the tread pattern of the Cinturato ™ Blue Wet wet tire, used in the highest track competitions. A true tribute to the expertise gained by Pirelli in terms of tires from “extreme wet”.
Clothing for Cycling
In the second half of 2017 at Eurobike, Pirelli Design presents the capsule collection of cycling clothing developed with Castelli, the first brand to bring innovation in cycling clothing and Italian company with more than forty years of history that is used to test the its products with the greatest professional cyclists.
The company returns to the cycling world not only with P ZERO Velo bike tires but also with a special clothing line dedicated to the most experienced cyclists, who seek maximum performance not only in the choice of their tires but also in their garments, in which they seek maximum quality and also style.
The new garments are inspired by the P ZERO Velo tires and feature a color code that recalls the language of its treads: silver for Road Racing, red for the Chrono and blue for the Four Season. The flagship product of the collection is the Aero Race 5.1 Jersey. The fabrics used on the front and rear showed a saving of 22 watts in the wind tunnel compared to a normal cycling jersey at 40 km / h. But it’s not just aerodynamics, it’s also comfort and durability.
Pirelli Design and Motorcycle MV Agusta Brutale 800 RR
At the end of 2017 the company was officially selected as the sole tire supplier for all motorcycles produced by the Schiranna company. This means that all the models currently in production, and those that MV Agusta will commercialize in the future, will fit Pirelli tires as original equipment.
The collaboration between two top-of-the-range and Made in Italy companies has been sealed with a limited edition of a very successful model, the Brutale 800 RR, customized by the Castiglioni Research Center in collaboration with Pirelli Design, the specialized Bicocca laboratory in the design of design projects with excellent partners.
The result of this synergy is the “Brutale 800 RR PIRELLI“, as this version of the naked varesina was truly exclusive for the set-up, components and production in very few units and was presented at the EICMA in November 2017.
The customization of this limited edition model focused on components and colors. The saddle, for example, was created specifically for the Brutale 800 RR PIRELLI and stands out for the matching stitching with each of the two color versions proposed. The support of the front optical unit is painted black, as well as the rear frame.
The tires obviously also play an important role: compared to the standard model with DIABLO ™ RED III original equipment tires, the Brutale 800 RR PIRELLI is fitted with DIABLO ™ SUPERCORSA SP tires in sizes 120/70 ZR17 front and 200/55 ZR17 rear with the 6 “back circle specific for this model.
The colored tires (optional) will be respectively with red or blue band, depending on the chromatic version to which they are combined.
Founder and designer of the homonymous clothing brand. Brunello Cucinelli was born in Castiglione (Perugia) in 1953. In 1972 he became a surveyor and enrolled in the faculty of engineering, which he left shortly thereafter. Starting in 1978 he began his career as an entrepreneur and proposed his distinctive character, the colored cashmere.
In 1982 he married Federica Benda, with whom he had two daughters, and moved to Solomeo, where he gave life to his company. In 1987 he inaugurated his new company headquarters in the fourteenth-century castle of the village.
Brunello Cucinelli Foundation
Instinctively brought to the knowledge, he devoted himself to humanistic studies (especially to philosophy) and began an activity of recovery and redevelopment of the ancient country, creating spaces dedicated to meeting and culture. The site chosen for the renovation project is the architectural and landscape complex of the Foro delle Arti, where under the aegis of the Brunello Cucinelli Foundation, a theater, an amphitheater and a Neo-nationalist academy are created, with a precious library inside.
At the same time he led his company to the most important successes, inspired by the great ideals of man: ethics, dignity and morals. From the beginning of 2000 his entrepreneurial and humanistic work is celebrated by a series of prestigious national and international awards. This includes: the Presidency of the Teatro Stabile dell’Umbria, Ernst and Young Award as an Italian entrepreneur of the year (2009), Prize Leonardo Qualità Italia (2010), delivered to the Quirinale by the President of the Republic Giorgio Napolitano, Cavalierato of the Italian Republic and Honoris Causa degree in Philosophy and Ethics of Human Relations conferred by the University of Perugia. In 2011 Brunello Cucinelli, was recognized worldwide as one of the most important brands in the luxury sector. The brand is present with several cashmere collections in more than 1000 multi-brand stores, 50 single-brand stores and numerous “shop in shops” spread throughout the various high department stores of the world.
Michael Kors is an American designer born in 1959 and raised on Long Island, near New York City. His mother was a model. For school he attended the Fashion Institute of Technology, but dropped out after 9 months. He started his professional career at the age of 19, when he designed a collection for the Lothar boutique in New York, for which he started to work as sales assistant. His success with the industry was such that he was urged to start his own business.
In 1981 the Michael Kors label made its début and the first collection, based on perfectly structured luxury sportswear, was presented. It was distributed, among the others, by Bergdorf Goodman, and Saks Fifth Avenue. In 1995 he launched the line Kors Michael Kors manufactured by Onward Kashiyama USA, the brand factory of Onward Kashiyama Japan. In November 1997 he presented his first line of men’s prêt-à-porter.
The Céline Era
At the same time, Kors was appointed the designer for Céline, of which he was made artistic director in 1999. He is considered a pioneer of the minimalist style. He lives in Paris and New York.
In 1999 Kors sold one third of his company share to LVMH, also the owner of Céline. One year later, Michael Kors launched the first perfume produced and distributed by Parfums Givenchy. During this time, he opened two sales points in Madison Avenue, New York, following in 2002, more boutiques opened in Soho and Tokyo. The same year, the Council of Fashion Designers of America names Kors Womenswear Designer of the Year.
The year 2002 also witnessed the launch of Michael Kors full men’s collection. A year later the designer announced that his contract with Céline ended, he would leave the maison. The Fall-Winter Collection 2003-2004 was the last collection he designed for Celine. The announcement came only a few weeks before the renewal of his annual contract with LVMH, Kors had lead them to believe his collaboration with the group was to continue for a long time.
Sportswear Holdings Limited Acquired Michael Kors
At the same year, two entrepreneurs, Silas Chou and Lawrence Stroll, through their company, Sportswear Holdings Limited, acquired 85% share of Michael Kors including the one-third stake in Kors’ business held by LVMH Group, the 10% that Onward Kashiyama USA bought in 2000 and the remainder owned by John Orchulli, Kors’ long-term business partner who stay with the firm as chief executive officer for a short-term interim.
In 2004, Kors became a judge on a new reality television show called Project Runway. Project Runway immediately became a hit show, his blunt criticisms comments were fan favorites. Kors was on this show until 2012, he announced that he would be retiring from Project Runway. By that time, the series had garnered several Emmy Award nominations.
New Lines Launched
Also in 2004, Michael Kors launched two new lines, MICHAEL Michael Kors, and KORS Michael Kors. These lines are sold in 350 stores in the United States offer ready-to-wear, handbags, swimwear, jeans, footwear and other accessories. Meanwhile, the company signed a contract with the Fossil to create and launch the Michael Kors watch line.
March 2011, the company celebrated its 30th anniversary with a new flagship store in Paris opened and one dinner party, the party is full of celebrities, models, singers, editors, It girls, actresses were attended.
Later in this year, Kors became the youngest designer who received The Geoffrey Beene Lifetime Achievement Award from CFDA. A year later, Michael Kors company renewed its contract to work with Fossil, besides the watch line, Michael Kors Jewelry line were set to be created.
Kors has always been involved in charity, fighting hunger for more than 20 years. In 2013 he partnered with the United Nations World Food Programme (WFP) to help fight world hunger by designing the 100 Series watch. A portion of the proceeds from his special-edition timepiece helps WFP deliver food to children through its school meals program. In 2015, the designer is announced as a Global Ambassador Against Hunger for the United Nations World Food Programme, together with its customers the company has helped deliver over 10 million meals to hungry children around the world through the programme.The company is also a longtime supporter of God’s Love We Deliver, and worked with the New York-based organization to help distribute meals to people with HIV/AIDS, cancer and other serious illnesses.
In 2016, Michael Kors signed a major partnership with McLaren-Honda, becoming the official lifestyle partner of the world championship Formula One team for boosting the brand’s jet-set associations.
In July 2017, Michael Kors company announced its acquirement of the luxury footwear and accessory brand Jimmy Choo for $1.2 billion. In November, the brand announced that Francesca Leoni was appointed as the new Senior Vice President and Chief Brand Officer for the Michael Kors brand.
Currently, Michael Kors stores are present in the most prestigious cities in the world including New York, London, Milan, Paris, Shanghai, and Tokyo. Through company owned shops and licensing partners they offer their consumer products including accessories, footwear, watches, jewelry, men’s and women’s ready-to-wear, eyewear and a full line of fragrance products.