Daughter of an antiquarian, Vivetta Ponti, was born in Assisi and graduated from the Linguistics of Le Mantellate in Florence. After attending the Paullo training center in Milan, Vivetta began her training course in Robert Cavalli’s office as a design assistant.
For Vivetta, her experience at Cavalli was long, but decisive for her creative development, and understanding of business dynamics.
In 2008 Vivetti Ponti won “Who’s Next” in Paris, a competition rewarding the best emerging artists. The next year, the designer made a big leap and launched her own label, “Vivetta”. The brand debuted for the first time at White Milano in 2010. As the designer said, the early years were “hard and full of defeats,” because her style was not understood.
“It was crucial not to demise and believe 100%, without listening to anyone, and making me demoralized. Now, we have a lot of work on the project, company, and worldwide distribution.”
In 2015, during Milan Fashion Week, Giorgio Armani chose Vivetta to present her Autumn/Winter 2015/2016 “The Groupie Attitude” collection in Armani Theater. Armani had already defined Vivetta as “the best”.
“I have a beautiful memory of the experience, despite some factors of understandable disorganization, being the first presentation. From that day things started to go well, even in Italy.”
With the Spring/Summer 2017 collection, Vivetta Ponti was the first Italian designer to join the Swavorski Collective project. This project encouraged designers to explore new creative paths through the use of crystals.
In March 2017, Vivetta Ponti, was the host of Mercedes-Benz in Beijing, where she presented her Autumn/Winter 2017 collection within the Mercedes-Benz International Designer Exchange Program.
The brand style of Vivetta includes nostalgic elements such as poetry, dolls, antique furnishings and a 50s design combined with hyper-contemporary silhouettes and bon ton. Clean lines are enriched with unexpected details and surreal elements. Creating a new idea of elegance: playful and dynamic, romantic and ironic, but also surreal and tailor-made. Originality is in fact made with the best tradition of Made in Italy.
The Vivetta style is feminine, delicate, dreamy, irreverent and fair, accompanied by a strong personality. That’s why it has become a point of reference for all trendy women constantly looking for a touch of eccentricity.
The company is based in Florence where all creations are hand-drawn, then handmade. Distribution points include Barney’s NY, Selfridges, Harrods, Le Bon Marche, Moda Operandi, LuisaViaRoma, and Tsum retailers.
Italian house of furs and leather goods. One of the first brands of the Made in Italy movement to become world famous. The company was established in Rome 1925, as a small shop for leather goods, and a secret fur workshop, on via del Plebiscito. The founders, Edoardo and Adele Fendi, developed the brand, but the true success started with the second generation. The next generation was represented by five sisters, Paola, Anna, Franca, Carla, and Alda. They brought new energy and ideas during the boom years that caused the brand to flourish.
Karl Lagerfeld Creative Director
In 1964 Fendi opened a historic boutique in the heart of Rome on via Borgognona. The next year their collaboration with Karl Lagerfeld, who succeeded Bert and Cruz, marked the birth of the brand. Lagerfeld is known for the way he transformed the concept of fur. He reinvented a garment that had traditionally been considered pompous, bulky, and not always easy to wear. With Lagerfeld as creative director, fur acquired a softness, wearability, reversibility, and became “fun fur”, a staple in the brand DNA that still exists today. At the same time, he searched for new materials, treatments, experimental techniques, and the rediscovery of forgotten and overlooked furs.
Over the years the Fendi bag lost its image of status-symbol, and became more functional. Leather was printed, dyed, and woven. The double FFs, in black and brown, were immediately recognizable and combined with stripes and squared patterns. In the 1970s came the granapaglia, a type of calfskin worked in a special way with scratches. The Giano, Astrologia, Pasta and Selleria lines, all completely handmade and in limited numbers, were created.
The Third Generation
In 1977 Lagerfeld launched the fashion house first ready-to-wear collection. By 1987, the third generation, represented by Silvia Venturini Fendi, daughter of Anna, took place as Creative Director for accessories and men’s lines. She launched the Fendissime line, which included furs, sportswear, and accessories for a younger market. Two years later, they opened their first store in New York on Fifth Avenue. Meanwhile, the empire of the five sisters enriched itself with numerous licenses, including knitwear, bathing suits, jeans, umbrellas, watches, eyeglasses, ceramics, furnishings, and linens. In total, about twenty licenses, besides furs and leather goods.
At this time, about 80% of the production was exported. In Italy and abroad there were about 100 boutiques and 600 points-of-sale, with a turnover of about 600 billion liras, which put Fendi in fourth place among the brands of Italian prêt-à-porter. Fendi has created theatrical furs for both stage and screen, notably for Gruppo di Famiglia in un interno (1974) and The Innocent (1976) by Visconti, La vera storia della Dama delle Camelie (1980) by Bolognini, La Traviata (1983) by Zeffirelli, Interno Berlinese (1985) by Liliana Cavani, Carmen (1986), The Age of Innocence (1993) by Scorsese, and Evita (1996) by Parker.
LVMH Acquires Fendi
By the end of 1999, the company is at the center of many buying appetites. After endless sales rumors, the maison ran under the control of Prada and Bernard Arnault, who was the Louis Vuitton owner. LVMH, in a joint venture with Prada (Lvp Holding), acquires 51% of the company, but management remains in the hands of the Fendi family. Later on, Prada began selling its shares to LVMH, which in 2004 acquired 84% of the shares. Of the five Fendi sisters, Carla Fendi’s only major shareholder remains.
In January 2001, Fendi collaborated in a joint venture with Aoi, a 30 years distributor of the brand in Japan. The new company, called Fendi Japan K: K, is on the market from the spring-summer 2001 collection.
Since 2002, the Men’s collection has been produced for 5 years by Ma.co. Company of So. Lather this year, they launched the Salleria collection, a made-to-order service for handmade leather goods including the famous Baugette and Peekaboo bags. This gives the customers an opportunity to fully customize their bag, seen as a true luxury.
Fendi continues to stay involved with contemporary events including the exhibit Goddess, at the Costume Institute of the Metropolitan Museum of Art, one of the most prestigious events in New York that spring, displays two dresses donated by the Fendi Archive in 2003.
Also, a special moment in April 2005 in Rome, the 18th-century palazzo Boncompagni Ludovisi becomes Palazzo Fendi. They build a new headquarters, and with its opening, the house celebrates their 80th anniversary. Later, in 2010 they launch kids wear and Fendi Home.
In the year of 2007, Fendi staged an unforgettable fashion show at the Great Wall of China with 88 models and a 1,500-mile-long catwalk.
The opening of a new boutique in Paris in 2008, however, took place with a private concert of Amy Winehouse for just 400 guests.
The Recent Years
This Italian house continues to get involved with new project and innovations. In 2011, they were chosen, due to its common values of craftsmanship and tradition, to collaborate with the Maserati “GranTurismo Convertible”. It was overlooked by Silvia Venturini Fendi and featured materials created in various colors specifically for it. It had Fendi’s double F logo stitched into the seats, in the center of the 20-inch Trident design alloy wheels, and side sills.
In 2013 the group started the restoration work on the fountains in Rome. They began with the Trevi Fountain, and followed up with the Quattro Fontane. To the brand, this is more than charity. This showed Rome and Fendi share a deep connection. Fendi is rooted in Rome, and has always been its muse. Later, in June 2013 they sign a contract with Safilo Group S.p.A. for the production and worldwide distribution of sunglasses and eye-glasses’ frames.
As for 2014, the brand took another step towards technology. Unveiling luxurious new headphones created in collaboration with Beats by Dr. Dre. The Fendi X Beats by Dr. Dre was announced in Fendi’s Men’s Spring/Summer 2015 fashion show in Milan. Later, the brand collaborated with Zaha Hadid to create a layered leather handbag, which was part of a collection of creations by famous UK-based women, to be auctioned to charity.
For the first time ever, the maison uses drones in order to video record its fashion show in 2014. Later, the fashion house buys 49% of Taramax SA’s shares, a luxury-watches- specialized business. This action will allow them to have a more important presence in the luxury-watches market.
Celebrating 50 Years of Collaboration with Lagerfeld
In 2015, under the wings of Lagerfeld, Fendi presented their first “Haute Forrure” collection during couture week in Paris. Fendi’s internationally renowned line of fur helped to differentiate the brand form its competitors as one of the few designers with a full range of fur offerings.
Later, Fendi, with the help of, architect Mario Nanni, moved its headquarters into Palazzo Civilta Italiana, which was built in 1942, to celebrate the EXPO. Unfortunately, the event was never held, but the first floor of the new building has remained a dedicated space for contemporary art exhibitions.
In the same year, Fendi payed homage to its collaboration with Lagerfeld, celebrating the 50 years as creative director, with the book “Fendi by Karl Lagerfeld”featuring exclusivematerial telling an amazing story of heritage, creativity, and modernity. This is the longest relationship betweem a designer and a luxury fashion brand in the industry.
In 2016 they completed the restoration and opening of Palazzo Fendi in Rome, on the corner of Via dei Condotti and Piazza di Spagna. The building hosts the Japanese multi-starred Zuma restaurant inside. At the 2nd floor, there are private apartments for celebrities, VIPs, and friends. At the 3rd floor, there is the Fendi hotel, which consists of 7 imperial suites. On the terrace of the last floor there is a lounge bar.
For their 90th anniversary, on July 7, 2016 they host their haute couture A/W 2016/2017 fashion show at the Trevi fountain (Rome), whose restoration has been supported by the Roman maison. Also, they hosted an exhibition, Fendi Roma- The Artisans of Dreams, to explain the production process of the fur and creativity elements.
Currently, the fashion house is performing strong with a turnover of more than €1 billion. With Pietro Beccari as CEO, and Carla Fendi, the only family member still involved with the company, chairman and president. Creative director’s Lagerfeld and Silvia continue to work side by side in the success of Fendi, remaining the only brand to have an in-house fur atelier.
Founded by Dante Trussardi in 1911 in Bergamo, Italy. The company started as a luxury gloves business. Today, Trussardi is an international brand that produces “Made in Italy” luxury leather goods, men’s and womenswear collections.
Founded by Dante Trussardi in 1911 in Bergamo, Italy. The company started as a high quality gloves business targeting elegant men and women. It grew and became an official provider for the royal family. The brand stood for discreet sophistication, experimentation and innovation. Iconic elements such as high quality raw materials and revolutionary leatherworking techniques were born. These iconic elements still exist in the brand DNA today.
Sixty years later, Dante’s grandson, Nicola Trussardi, a young manager with a degree in economics from Catholic University of Milan, took over the family business. In school, Nicola studied leatherworking processes, the market, and new trends that were reinforcing Italian style around the world. This education helped Nicola understand the destiny of gloves by this point was obsolete, and without a decisive change in direction, the company was destined to decline and fall. Nicola’s vision is to create a lifestyle brand, able to embrace with every style of life all aspects of life, always focusing on excellence.
Trussardi became an industrial group and entered the clothing and luxury accessories department. They designed and produced suitcases, bags, home, office and leather jackets in constantly changing styles. The brand stood true to Italian tradition of fine craftsmanship that has been passed down through generations.
In 1973 Nicola became the first designer to adopt a logo to identify all products. He used the greyhound to symbolize modernity, agility, and energy. the Greyhound revolutionizes the international fashion system leaving an indelible imprint in the imagination of those years with its refinement and elegance, with the cautious care of details, with incomparable quality materials. From this time on the greyhound became an international symbol, representing the brand that is still used today. In 1976 the brand opened its first flagship store in Milan and expanded into the European and American markets.
The First Fashion Show
The next step was natural, with the presentation of the first collection of prêt-à-porter in the late 70s and early 80s. With the close collaboration of his wife Maria Luisa, Nicola offered a prêt-à-porter with contemporary and dynamic lines. He favored the use of leather, reinvented by new technologies of processing and other modern and precious materials, such as neoprene and microfibers. Along with being a designer, Nicola was an expert in marketing. He immediately focused on the world of media with spectacular operations in Milan. He brought his runway presentations into exciting new spaces including: Teatro alla Scala, the Piazza del Duomo, the Pinacoteca di Brera, the Stazione Centrale, the Borsa, the racetrack, and opened them to the general public. He surrounded himself with intellectuals and artists, who gave their contributions to the griffe: from the painter Renato Guttuso from whose drawings he derived a sunflower print, to directors and costume designers invited to collaborate on the staging of the runway presentations. But Nicola does not stop at fashion: he is among the first to understand the unstoppable value of the brand: bicycles, tile, perfume, cars, airplanes, helicopters, house linens.
Trussardi and the Theater
The Trussardi lifestyle includes art, entertainment, cultured events and design. At this time, the brand had officially become a vital brand in the field of excellent products to be “Made in Italy.” Including the diverse range of fashion, art, cuisine and design. In the years Trussardi is able to blend in harmony with fashion at the theater. He collaborates with the Teatro Piccolo in Milan and with his director Giorgio Strehler, dressing Macbeth on stage at Verona Arena and setting up a parade at Castello Sforzesco with the direction of Dario Argento. Nicola interprets himself in Robert Altman’s Prêt-à-porter movie. This leads to the opening of Palatrussardi in 1986. A new venue for concerts and large scale entertainment events, that housed Frank Sinatra’s last concert in Italy.
Known for their elegance and quality, Trussardi rapidly grew internationally through the 90s, that expanded beyond fashion. The Group launches the Jeans, Home, Baby, Junior, Eyewear and Perfumes lines, becoming synonymous with elegance and absolute quality. In the 1990s, the company continued its international expansion path, focusing on new emerging markets in Eastern Europe, Asia and the Middle East. New boutiques are opened in Hong Kong (1992), Moscow (1993), Taiwan and Taipei (1994). In those years it is also the image to spread the style around the world thanks to the collaboration with the most interesting voices of international photography such as Richard Avedon, Mario Testino, Michel Comte, and Steven Klein.
In 1996, Palazzo Marino Alla Scala opened, a newly renovated hotel, that became the first flagship building in the fashion world that was built with a showroom, boutique, exhibition space, café, bookshop and restaurant all in one. On average, in recent years, sales amount to Lire 750 billion a year. In 1998, he founded a school for future fashion professionals, photographers and communicators. Sadly, on an April night in 1999 Nicola Trussardi died suddenly at the age of 57, in a car crash. The tradition of the Trussardi family name and the spirit of Nicola continues to be upheld.
After the death of their father, children Beatrice and Francesco took over the management of the family business. The “touch” of these two young people became immediately apparent. They created a younger fashion. The runway presentation for Winter 2003 ranged from the vaguely British style, with minor references to India in the form of damasked fabrics, and sporty suits. British style: knit pullovers with leather inserts, velvet suits, regimental stripes printed on the suede blazers. During this runway presentation, the maison announced a licensing agreement with Vestimenta, for formalwear and men’s sportswear, for Spring-Summer 2004.
The following year Francesco died at the age of 29 in a car crash, by a tragic fate, just as his father had. In March of 2003, 32-year-old Beatrice, becomes sole president, after father and her brother’s sudden deaths. Determined to carry on the work that her brother had begun, for Winter 2004, she presented one of the finest runway presentations in the history of the brand. It represented a way of being, more than just a fashion. The desire to please, rather than to astonish. A wardrobe intentionally for daytime wear, outside of any trends, and therefore, easy to wear. The line included interchangeable items in bright and complementary colors.
In 2006 Eric Wright, an American designer, who worked closely alongside Karl Lagerfeld, while designing for Fendi womenswear, was named head designer by Beatrice, current CEO and President at the time. Beatrice hired Wright with the intention of strengthening the menswear by reversing the current marketed route by bringing back forgotten colors, patterns and rediscover the rounded lines of inside pocket objects. Wright was head designer for 2 years.
Then, in 2008 the Trussardi high end brand was re-named Trussardi dal 1911. During this name change, Beatrice Trussardi, current CEO and President appointed Milan Vukmirovic, previous creative director at Jil Sander, and briefly Design Director at Gucci working alongside Tom Ford, to creative director. Beatrice hired Vukmirovic for his contemporary vision for tradition of Trussardi style.
Foundation Nicola Trussardi
Beatrice also strengthened Trussardi’s commitment to contemporary culture through the launch of the Fondazione Nicola Trussardi; a nomadic museum built to bring art into people’s lives. The foundation restores neglected houses in Milan and gives them to the city to be used as space for exhibitions and events. The company is also part of the world of high-class cuisine with Trussardi Alla Scala Restaurant, one of the best outposts of quality gastronomy in Italy that has recently obtained the prestigious recognition of the two Michelin stars.
Palazzo Trussardi Alla Scala
In 2009 Trussardi flagship building, Palazzo Trussardi Alla Scala underwent structural renovations and has become a heart of Italian culture. Sticking true to brand values of tradition, the building now houses the first concept store. Inside you can find an exposed layout filled with accessories and clothing for men and women, articles for the home, an area devoted to winning voices of image based journalism, and Café Trussardi, home of the first vertical garden installation in Italy, designed by Patrick Blanc.
Engaged in innovation, sustainability and environmental engagement, Trussardi is the story and the future of Made in Italy excellence in fashion, design, art and cuisine. The brand expresses a new lifestyle, based on excellence: for almost a hundred years the brand is an expression of the solidity and creativity of a home, commitment, and family values.
In fashion, the company has developed, in a century of experience, a unique ability to look for new ways and techniques for treating hides and fabrics. The roots of the brand include the Italian industrial history and its ability to work on the skin is unmatched throughout the world. The gloves laboratory opened by Dante Trussardi in 1911 is a historic example of the dedication and ambitions of the company. The creativity of the family, which has crossed, reinvented and renewed, the last century of our history, expresses an imaginary made of measured elegance, attention to detail, sobriety and charm.
In fashion, design, art and cuisine, each time the brand continually combines the culture of its history with the emotion, lightness, irony, and visions of contemporary. Thanks to the strength of the tradition that has built over time, the brand is able to offer fascinating surprises, rapid innovations, and small daily revolutions.
Trussardi in the world
Trussardi is an industrial group that produces and distributes worldwide. Through a differentiation between flagship stores, boutiques, franchise stores, corners, licenses and large retailers, their products are present in every significant market for apparel, accessories, perfumes, furnishing, and home accessories.
The Group’s exclusive distribution network comprises around 440 outlets around the world: 7 Trussardi boutiques, over 300 Tru Trussardi boutiques and in department stores, 17 Trussardi Home stores, and more than 110 retail outlets and stores. Including, the first TJ (TrussardiJeans) shop opened at Moscow Gum in 23 countries in Europe, Asia and the Middle East.
The Group is also present in the most important multibrands in the world including Barneys, New York; Jeffrey’s, New York; The Webster, Miami; Ron Hermann, Los Angeles; Harrods, London; Joseph, London; Aizel, Moscow; Colette, Paris; Printemps, Paris; Mientus, Berlin; Quartier 206, Berlin; Abseits, Stuttgart; Lakis Gavalas, Athens; Galy, Ibiza; The Outpost, Barcelona; Chapeau, Valencia; White Gallery, Rome; Boon the shop, Seoul; United Arrows, Tokyo; Restir, Tokyo; Designworks, Tokyo; Isetan, Tokyo; Estnation, Tokyo; Eight Million, Tokyo; Joyce, Hong Kong.
The Recent Year’s
Through the renovations Trussardi exposes themes of innovation and sustainability. Then, in 2011 Trussardi 1911 line is officially changed to Trussardi. Umit Benan Sahin, Turkish designer, is appointed as head designer of now Trussardi line. He previously worked for Marc Jacobs, Cacharel, and under Sophie Theallet. Sahin debuted his first line at Milan Fashion Week for Spring/Summer 2012 at Palazzo Trussardi alla Scala.
February of 2013, Gaia Trussardi, granddaughter of founder Dante, is appointed as creative director of Trussardi mainline collections and advertising campaigns. She has been a part of the company since age 23, and previously designed for Tru Trussardi and Trussardi Jeans. The brand expresses its need for continuous evolution and to strengthen brand identity. In March 2016, Beatrice, former CEO and President, gave Tomaso Trussardi, current CEO, her 25% stake in the company. The company announced a 5-year plan to reposition the brand in accessible luxury. Including a 90% overhaul in line management and restructuring of the multi and mono-brand sales channel, closing down less profitable stores. Along with major changes, the line Tru Trussardi is being discontinued, the last collection was Spring/Summer 2016. Trussardi and Trussardi Jeans will remain. Gaia plans to position the main Trussardi line around “Elegantly Cool” and the Trussardi Jeans will remain a streetwear look.
Today, Trussardi has introduced a contemporary new accessory called the Lovy bag, representing true Italian craftsmanship, made of the finest materials. The brand ambassador, Michelle Hunziker, represents the ironic and elegant elements of the brand. She is confident, complimented with a bubbly personality. Michelle is the ambassador for the new bag, appearing in all campaigns since 2016.